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The supermodel's transformation into a mythological monster at her star-studded New York party underscores Halloween's evolution into a global pop culture phenomenon, prompting conversations on creative expression and its growing influence in Kenya.

NEW YORK CITY – Supermodel Heidi Klum, widely regarded as the 'Queen of Halloween,' unveiled her latest elaborate costume, a terrifyingly intricate Medusa, at her 25th annual star-studded Halloween bash in New York City on Friday, October 31, 2025. The event, a cornerstone of global celebrity culture, once again set social media ablaze and highlighted the holiday's expanding influence beyond Western traditions.
Klum's transformation into the Gorgon from Greek mythology was a feat of cinematic-quality special effects. The costume featured a headpiece of writhing, animatronic snakes, scaly green prosthetics, and a long, slithering tail. The entire process took a reported 10 hours to apply. She was accompanied by her husband, musician Tom Kaulitz, who was costumed as a Greek soldier turned to stone by Medusa's gaze.
The creation was a collaboration with Oscar-nominated makeup and prosthetics artist Mike Marino, known for his work on films like “The Batman.” Marino's team utilized advanced 3D body scanning to craft the custom-fitted prosthetics, ensuring both a dramatic visual impact and a degree of comfort for the wearer—a lesson learned after Klum experienced severe neck pain from her heavy E.T. costume in 2024. Klum had teased the costume for weeks, promising fans a look that was intentionally “very ugly” in a departure from more glamorous themes.
For over two decades, Klum's party has evolved from a private celebrity gathering into a major media event, influencing costume trends worldwide. Her dedication to the art of transformation—past costumes include a giant worm (2022), a peacock featuring Cirque du Soleil acrobats (2023), and Jessica Rabbit (2015)—has elevated Halloween into a high-stakes arena for creative expression among celebrities. This year's guest list included stars such as Ice-T and his wife Coco Austin, Darren Criss as Shrek, and model Valentina Sampaio as Leeloo from 'The Fifth Element'.
The global attention garnered by events like 'Heidiween' reflects the holiday's growing commercial and cultural footprint. What was once a niche Western tradition is now a significant part of the social calendar in various parts of the world, including India, where Bollywood stars held their own high-profile Halloween party. This globalization of pop culture moments is driven by social media, where images and trends are disseminated instantly, creating a shared global conversation.
In Kenya, the celebration of Halloween remains a relatively niche activity, primarily observed in urban centers like Nairobi and Mombasa among expatriate communities and a younger generation of Kenyans engaged with global trends. Events like the 'Super Sema Halloween Special Screening' in Nairobi and 'The Nomad Halloween Party' in Mombasa indicate a growing commercial interest in the holiday. However, it is not a widely celebrated cultural event across the country.
Local celebrities and influencers have been seen to participate in Halloween-themed parties, often hosted at popular venues. These celebrations, however, sometimes spark debate about cultural importation versus local tradition. While some embrace it as a form of harmless fun and creative expression, others view it as a foreign concept with little local relevance. The elaborate, high-budget spectacles of Hollywood, like Klum's party, present a stark contrast to the smaller-scale celebrations in Kenya, highlighting different cultural and economic contexts. Nonetheless, the increasing visibility of such global events on social media platforms popular in Kenya ensures that the imagery and trends from Hollywood's spooky season find their way into the local consciousness, influencing fashion, events, and online content creation.
As Klum begins planning her 2026 costume the day after her party, her reign as the queen of a holiday that has become a global performance art spectacle remains unchallenged, with its ripples felt from New York to Nairobi.