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The Taita-born sculptor, a bridge between East Africa and the Caribbean, was shot dead days before he was set to lead a community healing workshop.

The waves at Billy’s Bay in Jamaica usually whisper of peace, but early Friday morning, they bore witness to a tragedy that has shattered two nations. Patrick Mazola wa Mwashighadi, 61, a celebrated Kenyan artist who turned scrap metal into spiritual gold, was shot dead during a violent robbery at his home in Treasure Beach, St. Elizabeth.
For nearly three decades, Mazola was more than an immigrant; he was a cultural anchor. His death is not just a police statistic—it is the severing of a vibrant artery connecting the creative souls of Kenya and Jamaica. While the Black River Criminal Investigation Branch hunts for the killers, a quiet seaside community and a grieving family in Taita Taveta are left asking the same agonizing question: Why?
The attack occurred at approximately 12:20 a.m. on Friday, December 5. According to Jamaican authorities, armed men stormed the property where Mazola was staying. In the ensuing chaos, the artist was shot. Despite being rushed to the Mandeville Hospital, he was pronounced dead on arrival.
"These things don't happen down here. This is a very peaceful, loving community," said Jason Henzell, a local hotelier and friend, speaking to local press. The shock is palpable; Treasure Beach is known for community tourism, not gun violence. In response, Jamaican police have imposed a strict curfew in the area, a grim reminder of the security challenges that plague parts of the Caribbean nation—challenges that echo the insecurity often felt back home in Nairobi.
To understand the magnitude of this loss, one must look back to where Mazola’s journey began. Born in Taita Taveta in 1964, Mazola was a teacher by training and an artist by calling. He honed his craft in the dusty classrooms of Mashimoni Primary School in Kibera and the Creative Art Centre in Nairobi.
His life changed in 1997 when he won a Commonwealth Art & Craft Fellowship, taking him to the Edna Manley College of the Visual and Performing Arts in Kingston, Jamaica. He never left. He found a spiritual kinship in the island, blending his Kenyan roots with Rastafarian philosophy.
Mazola’s art was visceral. He worked with "junk and scrap," transforming discarded objects into sculptures that spoke of resilience and renewal. Tragically, at the time of his death, he was preparing to lead a "Community Art Healing Therapy Workshop" to help locals process the trauma of the recent Hurricane Melissa.
"We are spirits living in some form," reflected fellow Kenyan artist Tabitha wa Thuku in a tribute. "The day he applied for the Commonwealth award, his killer was either being born or had just been born in Mazola's favorite nation."
As the investigation continues, the Kenyan High Commission in Kingston is expected to coordinate with the family for the repatriation of his remains. For now, the art world mourns a man who spent his life building bridges, only to be taken by the very violence he sought to heal.
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