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A Nairobi woman finds suspicious ritualistic items under her househelp’s bed, igniting a debate on trust, superstition, and domestic safety.

A routine cleaning session turned into a scene from a horror movie for a Nairobi woman who discovered a cache of "bizarre items" hidden under her househelp’s bed, sparking a fierce online debate about trust and superstition.
The employer, identified only as Carolyne, stumbled upon the stash while cleaning the room shared by her domestic worker and the worker's baby. What she found was not dust or lost toys, but a collection of objects that sent shivers down her spine: a white substance resembling ugali, a black leather-bound object tied with white ribbons, and a ominous note.
The items were specific and disturbing. The note, written in Swahili, read "Kupika wiki tatu, asubuhi tu" (Cook for three weeks, mornings only). This instruction, attached to a glue-like black substance, suggested a ritualistic intent. In the Kenyan context, where belief in witchcraft and "kamuti" (charms) is still prevalent, such a discovery is interpreted not as a quirk, but as a direct threat.
Carolyne’s reaction—taking photos and retreating in silence—mirrors the paralysis many employers feel when faced with the "unknown" within their own homes. She turned to social media for a verdict: was this harmless, or was it "dawa" (witchcraft)?
This incident rips the scab off the festering wound of employer-employee relations in Kenyan households. It highlights a deep-seated paranoia:
The court of public opinion was swift and divided. Some netizens urged Carolyne to fire the help immediately, citing the safety of her family. Others suggested it might be herbal medicine for the baby. But the prevailing sentiment was one of fear. "Ama ni dawa" (Maybe it is drugs/witchcraft) became the recurring refrain.
For Carolyne, the home is no longer a sanctuary. The discovery under the bed has transformed the domestic space into a zone of suspicion. Whether the items are harmless or hexed matters less than the trust that has been irrevocably broken. In the delicate ecosystem of the Kenyan home, seeing is believing, and Carolyne has seen enough.
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