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The iconic red-tiled roof is gone, replaced by a contemporary silhouette that signals a symbolic break from the past during Kenya’s Jamhuri Day celebrations.

As Kenya marked its Jamhuri Day celebrations, the nation’s seat of power quietly declared its own visual independence from the past, unveiling a striking architectural transformation that has set Nairobi buzzing.
President William Ruto officially presented the new-look State House, Nairobi, revealing a renovation that goes far beyond a fresh coat of paint. The changes represent a stark departure from the colonial-era aesthetic that has defined the presidency’s official residence for decades, signaling a shift toward a more modern, perhaps more strictly Kenyan, identity.
The most immediate and dramatic change observed by onlookers and analysts is the disappearance of the building's signature roofline. For generations, the structure was defined by its red-tiled, sloping colonial roof—a hallmark of British architectural influence in East Africa.
In its place now sits a sleek, flat roof. This modification has fundamentally altered the building's silhouette, trading historical nostalgia for a sharp, contemporary profile. The renovation appears to align with the current administration's broader projection of efficiency and modernity.
The removal of the dual dormers is particularly significant. These architectural features previously anchored the Kenyan and East African flags, integrating the symbols of statehood directly into the colonial structure. By moving the flags to standalone poles, the administration has subtly altered the visual hierarchy of the residence.
While official figures regarding the cost of these renovations have not yet been released, the visual impact is undeniable. Kenyans on social media have been quick to dissect the changes, with debates already forming around the preservation of historical heritage versus the necessity of modernizing state infrastructure.
As the flags now fly from independent masts, the transformed State House stands as a concrete metaphor for an administration keen on reshaping not just policy, but the very symbols of the Kenyan state.
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