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Ali Akbar, the 73-year-old last newspaper hawker of Paris, receives the National Order of Merit from President Macron, celebrating 50 years of street-corner history.

In a poignant tribute to a vanishing era, Ali Akbar, the last street newspaper hawker in Paris, has been knighted by President Emmanuel Macron for keeping the printed word alive on the Left Bank.
For over five decades, Akbar's voice has been the soundtrack of Saint-Germain-des-Prés. A 73-year-old immigrant from Rawalpindi, Pakistan, he has outlasted print deadlines, digital disruptions, and the slow death of the newsstand. By bestowing upon him the rank of Knight of the National Order of Merit, the French Republic has recognized that Akbar sold more than just paper; he peddled connection, wit, and the democratic pulse of the city.
During the ceremony at the Élysée Palace, President Macron described Akbar as "the most French of the French," a remarkable accolade for a man who once slept under the bridges of the Seine. "You are the accent of the sixth arrondissement," Macron said. "A warm voice that has boomed across the terraces for fifty years."
Akbar's journey is a Dickensian tale of survival. Arriving in 1973, he navigated the precarious existence of the undocumented, eventually finding his calling selling satirical magazines like *Charlie Hebdo* and later the establishment daily *Le Monde*. His headlines were often his own invention—witty, hyperbolic barbs designed to make the intelligentsia look up from their espressos.
The award comes as the profession itself faces extinction. [...](asc_slot://start-slot-3)The "crieurs de journaux" were once a staple of Parisian life, but Akbar is the last of his kind. His knighthood is thus a dual symbol: a celebration of his personal resilience and an elegy for the tangible, ink-stained news culture that is fading into history.
As he pinned the blue ribbon to Akbar's lapel, the distinction bridged the gap between the powerbrokers who run France and the man who has sold them their news every morning. For Ali Akbar, the boy from Rawalpindi, it was the ultimate validation: he had not just observed French history from the sidewalk; he had become a part of it.
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