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QUT acquires the 85-year-old literary journal Meanjin after its axing by Melbourne University Press, returning the cultural icon to its Brisbane roots.

Australia’s literary landscape has been spared a catastrophic loss as the Queensland University of Technology (QUT) steps in to rescue the historic journal Meanjin from oblivion.
The 85-year-old publication, a cornerstone of Australian intellectual life, was effectively sentenced to death in late 2025 when Melbourne University Press (MUP) announced it would cease funding the title. The decision sparked outrage across the arts community, with critics labelling it an act of "cultural vandalism." Now, in a poetic twist of fate, the journal is returning to the city of its birth, reclaiming its Indigenous namesake and its future.
Founded in Brisbane in 1940 by Clem Christesen, Meanjin (derived from the Turrbal word for the spike of land where Brisbane sits) moved to Melbourne in 1945. Its return to Queensland is not just a change of address; it is a restoration of its original spirit. QUT Vice-Chancellor Professor Margaret Sheil confirmed the acquisition, pledging to uphold the journal\`s "rigorous standards" and editorial independence—a critical assurance given the turbulent nature of its departure from Melbourne.
The near-collapse of Meanjin exposed the fragility of arts funding in Australia. For decades, the journal has served as the testing ground for the nation\`s most important voices, from Helen Garner to Alexis Wright. It is where Australia talks to itself about itself. The rescue by QUT is a significant vote of confidence in the value of the humanities at a time when tertiary institutions are increasingly pivoting toward STEM.
"Meanjin has been instrumental in shaping Australian literary and intellectual culture," Prof Sheil noted. "We are honoured to be entrusted with the legacy of this cultural icon."
Despite the celebration, thorny legal issues remain.The Guardian Australia has raised questions regarding the ownership of Meanjin’s extensive archives. These archives are not just dusty papers; they represent a potential revenue stream through royalties and a treasure trove of Australian cultural history. It remains unclear whether MUP will retain these rights or if they will transfer to QUT, a detail that could impact the journal\`s long-term financial sustainability.
For now, however, writers and readers are breathing a collective sigh of relief. Meanjin is not dead. It is going home, bruised but unbowed, ready to write the next chapter of Australia’s story.
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