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The closure of the Campana Gallery highlights systemic issues of maintenance and security at the world-renowned museum, offering critical lessons for Kenya's own heritage preservation efforts.

The Louvre Museum in Paris, the world's most visited art institution, announced the temporary closure of its Campana Gallery on Monday, 17 November 2025, after an audit revealed significant structural weaknesses in the building. This move compounds a year of intense scrutiny for the museum, following a major jewel heist and persistent warnings from its own leadership about the deteriorating state of the historic former palace.
In a statement released on Monday, the Louvre confirmed that investigations are underway into "certain beams supporting the floors of the second floor" above the nine-room gallery, which houses a major collection of ancient Greek ceramics. The closure was enacted as a precautionary measure after a technical report submitted on Friday, 14 November, flagged "particular fragility" and "recent and unforeseen developments" in the Sully wing's structure. The second-floor area, used as office space for 65 employees, has also been closed and the staff relocated pending further assessment.
This structural emergency follows a series of damning revelations about the museum's condition. In a memo leaked in January 2025, the Louvre's director, Laurence des Cars, issued a stark warning to France's culture minister about a "proliferation of damage in museum spaces, some of which are in very poor condition". Des Cars, the first woman to lead the institution since its establishment 230 years ago, detailed that some areas were "no longer watertight" and experienced "significant temperature variations, endangering the preservation of art works". She described the visitor experience as a "physical ordeal," citing overcrowding, inadequate facilities, and conditions that fall below international standards for an institution that received 8.7 million visitors last year.
The structural problems are the latest in a series of crises to hit the Louvre. On Sunday, 19 October 2025, the museum suffered a brazen daylight robbery when a gang of four thieves stole eight pieces of the French Crown Jewels, valued at an estimated €88 million to $102 million. The robbers, disguised as construction workers, used an extendable ladder to access a first-floor window of the Galerie d'Apollon, threatening guards with angle grinders before smashing display cases and escaping on scooters in an operation that took less than eight minutes. Four suspects have since been arrested, but none of the priceless jewels have been recovered.
The heist exposed severe security shortcomings that had been previously flagged. A state auditor's report, covering 2019 to 2024, revealed that security camera coverage was lacking in a third of the museum's rooms and criticized "persistent" delays in updating security equipment. Following the theft, a French government audit slammed the Louvre for prioritizing spending on new art acquisitions over essential security and maintenance. Between 2018 and 2024, the museum spent $275 million on new art, while a 2015 security audit's recommendations are not scheduled for full implementation until 2032.
While the Louvre's troubles may seem distant, they offer a powerful cautionary tale for cultural institutions worldwide, including those in Kenya. The challenges of preserving aging infrastructure while managing high visitor numbers and ensuring robust security are universal. The situation in Paris underscores the critical need for sustained investment in the maintenance and security of heritage sites, a lesson pertinent to Kenya's management of national treasures like Fort Jesus, the Gede Ruins, and the National Museums of Kenya (NMK).
Recent reports from Kenya's Auditor-General have highlighted similar issues of neglect, poor documentation, and inadequate funding for the nation's heritage sites. A 2024 report revealed that several major heritage sites lack any inventory records, making it impossible to track collections or account for losses due to theft or damage. This lack of documentation and resources puts Kenya's cultural heritage at serious risk, mirroring the systemic underinvestment that has led to the current crisis at the Louvre.
The events in Paris serve as a stark reminder that cultural heritage is vulnerable not only to dramatic heists but also to the slow decay of neglect. For Kenya, it highlights the importance of prioritizing the fundamentals of museum management: robust security protocols, comprehensive documentation and digitization of collections, and consistent, long-term investment in the physical infrastructure that protects these invaluable assets for future generations. As international museum standards evolve, the Louvre's struggles provide critical insights for strengthening the stewardship of Kenya's and East Africa's rich cultural legacy.