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Yvonne Muinde, the Kenyan VFX artist behind Avatar and Game of Thrones, returns to Nairobi to revolutionize the local film industry with her new studio, Ikweta Arts.

From the dragons of Westeros to the vibranium-powered tech of Wakanda, a Kenyan hand has been quietly shaping the world’s biggest blockbusters. Yvonne Muinde, an acclaimed visual effects art director with a résumé that reads like a Hollywood hall of fame, has returned to Nairobi, bringing her world-class expertise back to the soil that birthed her.
Muinde, whose brushstrokes and digital artistry have graced screens in Game of Thrones, Avatar, and Black Panther, is not just visiting; she is on a mission. Having spent over two decades in the elite circles of global VFX, the 51-year-old artist has founded Ikweta Arts, a studio dedicated to elevating African storytelling to global standards. Her return signals a seismic shift for the local creative economy, proving that the gap between Nairobi and Hollywood is bridgeable.
"I found it fascinating that we could mix all these different worlds together," Muinde reflects. Her journey began at Loreto Convent Msongari, fueled by a childhood obsession with Asterix and Obelix and the surrealism of Salvador Dalí. That passion took her from painting motorbike murals in Nairobi to matte painting for Peter Jackson’s The Hobbit. Her work involves creating the "invisible" backgrounds that make fantasy worlds feel real—a skill set that is rare and highly prized.
Her latest project, a trailer for the documentary Road to Shujaa, is a testament to her vision. It is not merely content; it is a statement of intent. By leveraging her experience on films like Star Wars: Revenge of the Sith, Muinde is crafting narratives that are authentically Kenyan but technically indistinguishable from major studio productions.
Muinde’s homecoming is a catalyst for the industry. For years, African filmmakers have struggled with the technical limitations of visual effects, often outsourcing complex work or compromising on vision. Muinde’s presence changes that equation. She represents a transfer of high-level technical knowledge that could jumpstart a new generation of digital artists in East Africa.
Yvonne Muinde has spent her life building worlds for others. Now, she is back to build the most important world of all: the future of Kenyan cinema.
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