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The 62-year-old artist, who spent decades bridging East African and Caribbean cultures, was killed during a violent robbery in Treasure Beach.

A violent home invasion in Jamaica has claimed the life of Mazola wa Mwashighadi, the celebrated Kenyan-born sculptor who spent nearly thirty years fusing East African heritage with Caribbean soul. The 62-year-old was shot dead early Friday morning, silencing a creative voice that resonated from the studios of Nairobi to the galleries of Kingston.
The tragedy occurred in Treasure Beach, a coastal community usually revered for its tranquility and cultural vibrancy. For Kenyans, Mwashighadi’s death is not merely a statistic in a foreign crime log; it is the loss of a cultural ambassador who carried the discipline of Nairobi’s Creative Art Centre to the global stage. His murder has triggered emergency security measures in Jamaica and left the diaspora community reeling.
According to Jamaican police reports, the horror unfolded shortly after midnight on December 5. Several armed men forced their way into Mwashighadi’s apartment, demanding cash. The artist was inside with a partner, whose identity authorities have withheld for safety reasons.
Investigators noted that when the intruders’ financial demands were not immediately met, the situation escalated rapidly. The gunmen opened fire, striking Mwashighadi before fleeing the scene. He was rushed to the Black River Field Hospital, but medical personnel were unable to save him, pronouncing him dead on arrival.
In response to the killing, Jamaican authorities have imposed an emergency curfew in the Treasure Beach area. A coordinated manhunt is currently underway, though police have yet to release descriptions of the suspects. The incident has shattered the peace of a community that relies heavily on cultural tourism.
Mwashighadi’s journey was one of artistic migration and excellence. Before becoming a pillar of the Jamaican art scene, he cut his teeth in Kenya’s education sector.
This fellowship was the catalyst that took him to the Edna Manley College of the Visual and Performing Arts in Jamaica. What began as an academic exchange evolved into a lifetime commitment to the Caribbean, where his work became known for blending Kenyan materials and motifs with Jamaican narratives.
The timing of this tragedy is particularly bitter for the local community. Fellow artist Andy Jefferson described the murder as “a devastating loss,” emphasizing that the region is still struggling to find its footing following the destruction caused by Hurricane Melissa earlier this year.
While details regarding the repatriation of his remains are still being finalized, the void left by Mwashighadi is palpable. He was more than a sculptor; he was a living link between two continents. As investigations continue, his death forces a painful conversation about the safety of the diaspora and the vulnerability of those who dedicate their lives to beauty.
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