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The televangelist took to Facebook with a puzzling Swahili post, “Paka ya msituni ni ya msituni rudi msituni nimechoka…” a line that immediately sent social media into overdrive.

A cryptic swahili proverb posted by the controversial televangelist has ignited a firestorm of speculation regarding the fragility of his newfound alliance with socialite Marion Naipei.
The digital pulpit of Pastor Victor Kanyari has once again become a theatre of absurdity. Just days after a highly publicized "sanctification" of Marion Naipei, the preacher has retreated to the safety of riddles, posting a biting Swahili aphorism that suggests betrayal and regret.
The post, which read "Paka ya msituni ni ya msituni rudi msituni nimechoka" (A jungle cat belongs in the jungle, return to the jungle, I am tired), is not merely a social media update; it is a declaration of war. It signals a potential and dramatic collapse of what was branded as a divine rescue mission. The subtext is screamingly loud: the "jungle cat" likely refers to Naipei, whose chaotic public life Kanyari had vowed to tame, and the fatigue he expresses points to a burden that has become too heavy, even for a man who thrives on controversy.
To understand the weight of this fallout, one must dissect the events of the last fortnight. The narrative began with a viral video of Naipei in a compromised state, a moment of vulnerability that the internet feasted upon. Enter Pastor Kanyari, the self-styled spiritual fixer, who offered not just prayers but a cash gift of KSh 50,000 and a platform in his church. It was a masterclass in crisis PR, positioning him as a redemptive father figure against a backdrop of societal judgment.
However, the involvement of Nairobi County Chief Officer Geoffrey Mosiria adds a layer of political intrigue to this spiritual drama. Mosiria, who had initially championed Naipei's cause before abruptly washing his hands of the matter, seized upon Kanyari's frustration with glee. His response—a sarcastic "I told you so" wrapped in a request for painkillers—highlights the cyclical nature of Nairobi's clout-chasing ecosystem. The church, the state, and the streets are all players in this tragicomedy, with Naipei’s dignity often serving as the collateral damage.
Kanyari is no stranger to the art of the pivot. From the infamous "panda mbegu" scandal that exposed the commercialization of faith to his recent reinvention as a TikTok influencer, his career is built on the ability to monetize attention. This latest episode fits a predictable pattern: identify a trending topic, insert himself as the protagonist, and when the narrative sours, cast himself as the victim of his own benevolence.
The "jungle cat" analogy is particularly dehumanizing, reducing a woman seeking redemption to a feral animal incapable of domestication. It speaks to a deeply entrenched misogyny disguised as pastoral discipline. If this is indeed the end of the Kanyari-Naipei alliance, it serves as a grim reminder that in the world of performative gospel, salvation often comes with a receipt, and grace has an expiration date. The jungle, it seems, is not the club where Naipei was filmed, but the very altar where she sought refuge.
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